Table lamp

The lamp was designed by Nendo design studio of Japan and designer Oki Sato. NJP Table is a new interpretation of the classic architect lamp. Its simple and honest look bares the lamp’s functional components, and makes it self-explanatory in its expression. The lamp’s applications have been considered in every detail: The two joints on the arm offers great flexibility making it easy to set the lamp position.

Keglen is a design by BIG Ideas in collaboration with Louis Poulsen that was released in 2017. The idea was to create a simple but unique lamp with an emphasis on geometry and the essence of light. The collaboration between Louis Poulsen and BIG Ideas began with the development of a suspension lamp for the Tirpitz Museum in Blåvand, a building that BIG had designed for the Varde Museums.

The VL38 table lamp was originally designed in the late 1930s by Vilhelm Lauritzen in partnership with Louis Poulsen for the construction of the Radiohuset building (the Danish broadcasting house) in Copenhagen (today the Royal Danish Academy of Music). Vilhelm Lauritzen’s lamp design, VL38 and the pendant VL45 both designed for Radiohuset, started to appear in Louis Poulsen catalogues after World War 2 in the middle of the 1940s.

In an era as digital as the current one in which you buy with a click and read by sliding your finger, sometimes you miss something as human as touching - with all its intention -. The Bolita lamp invites you to touch the light to modulate it.

Its structure is as simple as it is magical: a round surface that houses an LED located on its central axis and a superimposed crystal ball that, when it moves, constantly produces the effect of an eclipse. By moving the Ball we dim or increase the light and this game captivates with its beautiful visual effect.

Beyond its function as a lamp, Dipping Light seeks to excite. When turned on, it is fascinating: its different shades of paint filter the light, creating a magical effect in the environment. When turned off, it transforms into a colored glass sphere, an object with a great aesthetic charge.

Dipping Light was born as an experiment - dipping a lit light bulb into paint several times - but it becomes a lamp. Thus, the various layers of paint draw concentric circles and trap the light, attenuating its intensity. The paint becomes a screen, coloring the light and giving it texture. A brass or graphite base is added as support. This artisanal process makes each lamp unique and exclusive.

Beyond its function as a lamp, Dipping Light seeks to excite. When turned on, it is fascinating: its different shades of paint filter the light, creating a magical effect in the environment. When turned off, it transforms into a colored glass sphere, an object with a great aesthetic charge.

Dipping Light was born as an experiment - dipping a lit light bulb into paint several times - but it becomes a lamp. Thus, the various layers of paint draw concentric circles and trap the light, attenuating its intensity. The paint becomes a screen, coloring the light and giving it texture. A brass or graphite base is added as support. This artisanal process makes each lamp unique and exclusive.

Beyond its function as a lamp, Dipping Light seeks to excite. When turned on, it is fascinating: its different shades of paint filter the light, creating a magical effect in the environment. When turned off, it transforms into a colored glass sphere, an object with a great aesthetic charge.

Dipping Light was born as an experiment - dipping a lit light bulb into paint several times - but it becomes a lamp. Thus, the various layers of paint draw concentric circles and trap the light, attenuating its intensity. The paint becomes a screen, coloring the light and giving it texture. A brass or graphite base is added as support. This artisanal process makes each lamp unique and exclusive.

For Lluís Porqueras, designing consisted of eliminating the superfluous until leaving an essential object: beautiful, useful and simple. This is what he did with the Funiculí, a lamp from 1979 that Marset reissued in 2013 and which has become an emblem of the collection.

It is light, takes up almost no space and can function as an ambient lamp or as a direct light lamp, it all depends on how its lighting is directed. Its designer freed up the screen to give it maximum mobility, it can be oriented up to 360 degrees and focus the light wherever desired and it also has a double clamp system that allows you to vary the height of the diffuser, raise and lower it.

The Ginger collection is very extensive and includes different sizes of suspension, tabletop - also the portable version -, floor-standing, two wall versions with a mobile arm, and four sizes of wall lights with great formal simplicity that can be combined with each other.

With these two very diverse materials – wood and metal – the Ginger becomes a versatile collection, so much so that its outdoor version is also incorporated, closing the circle: There is a Ginger for any lighting and aesthetic need.

The beauty of the Mercer comes not only from its essential shape but also from how its materials come together. The transparent blown glass structure surrounds the textile lampshade, it seems to float, transmitting lightness and sophistication.

The interior diffuser fabric is available in two finishes: in raw cotton tape, and in a more modern and minimalist version, in pearl white.

The English word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in naval construction. Its assembly is reminiscent of a construction game and its profile seems like a silhouette of light, an archetypal, almost graphic design.

The Scantling collection includes two free-standing versions, one for table and one for wall.