LAMPARAS DE SOBREMESA

This table or wall lamp with its geometric metal shades, its plays of light and shadows, empty and full, enclosed in a square frame, is presented as a multi-purpose luminous object: lamp and display case. A luminous sculpture with a strong stylistic connotation typical of the 60s.

With Gople portable everyone can be the author of light in their own space, wherever they are. Gople's characteristic diffuser is made of plastic to better withstand use in different spaces and situations.

Gople's elemental shape enhances the beauty of hand-blown glass. The white version is made according to an ancient Venetian technique that breaks down white glass into crystal glass, joining them during blowing and making each piece unique.

Gople's elemental shape enhances the beauty of hand-blown glass. The white version is made according to an ancient Venetian technique that breaks down white glass into crystal glass, joining them during blowing and making each piece unique.

Huara is a black and shiny sphere like an electronic device, the sectors that make it up light up when touched. Huara generates both analog and digital interaction. It creates a simple and direct relationship with the user who, when touched, can model different lighting scenarios. The patented electronic innovation allows not only direct interaction, but also remote control via the Artemide App.

An archetypal lampshade balanced on a tilted stem creates a balanced and elegant geometric composition that surprises despite its simplicity. The screen is a light plastic volume closed by two diffusers that produce soft and pleasant direct and indirect light. The joint holds the screen in a minimal support point connecting it to the aluminum stem.

A cylindrical base houses the fountain, hiding it and supporting the blown glass diffuser.

The frosted milky blown glass allows you to achieve soft localized light on the table or wall and high-performance light in the environment.

Lesbo, designed in 1967, is one of the symbols of Italian design of the 70s, and is distinguished by its characteristic mushroom shape.

The hand-blown diffuser creates suggestive interactions with light. The gradation of the diffused white makes it possible to hide the light source and direct its emission upwards, creating a soft light environment that enhances the tactile characteristics of the glass.

The diffuser is handmade in double-layer artistic glass, obtained with the artisanal technique of blowing without rotating the mold and subsequent grinding, reminiscent in the final result of the ancient Murano technique of beaten glass.

Its sinuous curves that arise from modeling a sheet of opaline methacrylate gently diffuse the light. It combines "simplicity and concept" which for Magistretti are the basis of design that lasts over time.

Nessino is an icon of Italian design from the sixties, a decade of conquest of modernity in which design reinterpreted the domestic landscape through the first applications of plastic materials. Innovative and democratic, its expressive form inspired by nature interprets and challenges industrial production technology.