In 1956, Arne Jacobsen designed the AJ Eklipta for Rødovre Town Hall. The concept came in two sizes: 350 mm and 450 mm. They were used on indoor stairs or as wall lights in outdoor spaces. A 220mm version was later designed for St Catherine's University, England. When Arne Jacobsen used the luminaire on stairs, he always preferred the larger model.

The Albertslund Wall Light was designed by Jens Møller-Jensen in 1963 for a housing project in Albertslund, Denmark. It is a wall light that follows the same design as the Albertslund post: an anti-glare ring, three bolts and a Saturn ring that acts as a reflector.

Originally designed by Arne Jacobsen in 1960 for the SAS Royal Hotel in Copenhagen (Radisson Blu) it was part of the overall design devised for the hotel. Several of the products created for the hotel are considered design icons and within the lighting industry in particular, the AJ lamp has achieved worldwide fame. With the 50th anniversary of the launch of the AJ family, the version for outdoor use was introduced.

The Flindt Wall Light is part of the Flindt series, which brings exceptional lighting and a bold, sculptural design to indoor and outdoor spaces. Based on the same carved design as the bollards, the Flindt Sconce continues the elegant design language in the shape of a perfect circle. The Flindt Wall Light is distinguished by the light outlet at the top that emits light out the front of the fixture, creating a subtle, glowing ring of reflected light at the transition between the concave and convex shapes.

Keglen is a design by BIG Ideas in collaboration with Louis Poulsen that was released in 2017. The idea was to create a simple but unique lamp with an emphasis on geometry and the essence of light. The collaboration between Louis Poulsen and BIG Ideas began with the development of a suspension lamp for the Tirpitz Museum in Blåvand, a building that BIG had designed for the Varde Museums.

The first LP Grand of 2016 was born when Louis Poulsen asked Christian Flindt to develop a ceiling lamp for large spaces that would work at different scales and take up little space. At the same time, the luminaire had to have the DNA of Louis Poulsen and be a “Design that shapes light”, even on a large scale.

The NJP series was designed by Oki Sato, founder of the Nendo design studio, with the intention of giving a new interpretation to the classic Anglepoise articulated arm lamp – with all its well-known characteristics – in a current design that would adapt the functions to the Today's way of working, both in the office and at home. The adjustable arms and head of the NJP Wall Light make it exceptionally adjustable, something that most common wall lights do not usually boast of.

The Nyhavn Wall Lamp was designed by Alfred Homann and Ole V. Kjær in 1976. The Nyhavn Wall Lamp was awarded in a competition organized by Louis Poulsen on the lighting of old urban areas or of heritage value. Before the competition, Alfred Homann had been working on different sketches and models. Thanks to this, he and his colleague Ole V. Kjær were able to present the necessary material in just five days.

Poul Henningsen designed the three-screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting in places where it was needed most. Additionally, he used incandescent bulbs as a light source to create soft shadows.

Poul Henningsen designed the three-screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting in places where it was needed most.

Poul Henningsen designed the three-screen system in 1925-1926. Together with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PH sought to create direct, glare-free lighting in places where it was needed most. Additionally, he used incandescent bulbs as a light source to create soft shadows.