Lighting

Compact indoor and outdoor wall lamp with a pressed glass diffuser. Its undulating shade covers the light, blurring it. It doesn’t settle for just providing light, it also manages to create an ambiance.

Now Roc has evolved to provide more light. Inside the diffuser there’s a dome-shaped accessory that covers the LED plate, flooding the entire shade with light. In addition to the 14 cm version, the collection includes two new sizes of 8.5 cm and 17 cm in diameter.

When any version is purchased, it also comes with a filter to prevent glare and screen the light. This filter is recommended when the lamp is installed on a wall but can be dispensed with when fitted to a ceiling.

The smallest version has an accessory so it can be recessed into the wall or ceiling, with only the shade showing.

Roc tempts the senses. It looks like a bright block of ice, and its irregular, almost organic texture beckons to be touched.

Inspired by the lanterns found on fishing boats, this collection of outdoor customizable lamps allows you to create multiple compositions. Users can choose how many shades to place on the diffuser, along with their order, position and direction. This interplay of combinations yields a rich array of direct or reflected light.

The Santorini collection can be hung from the ceiling, either individually or clustered together, or they can be strung up like a garland. They also work as wall lamps or standing lamps using accessories that can easily be added.

The variations on the Santorini lamp are further expanded by the choice of the shade color, which comes in white, grey and mustard.

Also, the Santorini collection has been expanded with the addition of two ceiling and wall versions with a more conventional attachment system in the guise of a tube structure that confers on the light a more solid appearance.

Wood and metal combine in a design that utilizes the beauty and simplicity of basic geometric shapes. The Scantling is based on a highly functional and flexible system, in which all the movements of the fully rotational shade use ball joints and arms to create a versatile, easy-to-move light. In addition, its technical precision requires no exposed springs or counterweights to stay in the specified position.

The word Scantling refers to a wooden strip that was formerly used as a unit of measurement, especially in shipbuilding—and that is precisely what stands out the most about the wall version, the small wooden handle that allows for easy control of the shade position.

The Scantling collection also includes two floor versions and one table version.

The Soho makes a statement in recognition of those lamps that were traditionally used to light up markets, taverns and cafeterias.

It is made from rotation-molded polyethylene, a technique that allows us to offer it in different sizes: 38-cm diameter for smaller spaces, 57 cm and 112 cm for large spaces. This collection is also available for outdoors, including wall and floor versions in different colors: black, gray, translucent white, sand and sky blue.

Soho is presented as a statement, in recognition of the merits of the lamps traditionally used in markets, taverns and cafeterias. After studying different volumes, proportions and materials, new uses and lighting effects have emerged.

The use of rotation-moulded polyethylene allows us to easily offer this fixture in a wide range of sizes. The wall version is available in two shade sizes – 38 and 57 cm in diameter – and in various finishes: black, grey, and white.

With the Tam Tam collection, Fabien Dumas shows us his knack for innovation: bringing together various lamps in one and allowing each to send light in any direction. The design features a central light source, to which various satellite lamps -between 3 and 5- can be added to project light from any angle.

Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including blue-grey and khaki for the central lamp and silver-grey and olive yellow for the satellite lamps. The combination of colours is what harmonises the whole.

Besides colour and texture, Tam Tam has also evolved to offer the…

With the Tam Tam collection, Fabien Dumas shows us his knack for innovation: bringing together various lamps in one and allowing each to send light in any direction. The design features a central light source, to which various satellite lamps -between 3 and 5- can be added to project light from any angle.

Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including blue-grey and khaki for the central lamp and silver-grey and olive yellow for the satellite lamps. The combination of colours is what harmonises the whole.

Besides colour and texture, Tam Tam has also evolved to offer the…

Unfold the light or fold it. The latest from PerezOchando is a flexible, large-format lamp designed to adapt to the different lighting requirements in large spaces.

A large black vertical structure is the main shaft from which fourteen rods emerge; some can be moved upwards to expand the light and others downwards to focus it. The rods all have a suspended spotlight that projects the light downwards or in a large, sharp beam. The cylindrical spotlights – with an inner ring that comes in ivory, terracotta or gold – spread the light evenly.

This decorative light, with an extremely graphic profile that’s easy to outline, takes its inspiration from an old-fashioned winding machine: used to wind thread or wire around an axis and form a ball. Designers Pedro Ochando and Claudia Pérez have no interest in the machine’s function, rather in its shape, which enables vertical movement with a horizontal effect.

A light, sober and functional…

The Greek goddess Theia – mother of the sun, the moon and the dawn – lends her name to this lamp, whose design seeks to express the beauty of light and the fascination we feel for it. In Theia, the materials and shapes are merely the physical manifestations of the underlying concept: merging both light and shadow in a single piece.

Theia has two faces: to discover them, simply swivel the fixture around its central axis. It can be pointed towards you for use as a reading lamp, or towards an object or a wall, creating a subtle, indirect light that immediately warms the atmosphere. Because Theia’s metal lampshade is totally opaque, this swivelling movement totally shifts the perception of the piece.

Theia’s formal design is elementary and streamlined: two half-spheres, one placed horizontally and the other vertically, which intersect with each other. Just as in nature itself, these formal elements make it possible for the light from a source to be…

Light up the outdoors with the same warmth as in indoor lamp. That is the purpose of the TXL, and it does so thanks to its textilene shade. An apparently malleable material, it is highly resistant, not only to water but also to adverse weather conditions.

The TXL wants to fill space with a light of its own; stunning thanks to its size and its textile shade that filters the light and appears to vibrate. With a concrete base that lends a distinct outline, it appears to be a one-piece construction. Solid and colossal, the TXL projects the warm light of an indoor space outside.

At first glance, Vetra could be no more than a traditional, old-fashioned, blown-glass lamp, but turning it on yields a surprise. Joan Gaspar uses a completely closed glass diffuser as a reflector, and creatively places the light source outside -instead of inside- the shade. The Vetra gives off more light than one would expect, without glare. Much of the light is directed downward, and the rest is filtered toward the inside of the shade, subtly illuminating it.

Like an echo multiplying the light, when it’s on, its entire outline is drawn out and seems to come alive. This collection is offered in 43 cm in white and amber, a color that emphasizes even more its relationship with the light. A contrasting layout in which the lamp proper becomes more visible and its light – sheltered by these tones – warmer.

The Zenc’s design is inspired by the water tanks on New York rooftops. With this in mind, Gaspar has created a contemporary form reminiscent of industrial aesthetics.

A shade 44 cm in diameter and 28 cm high surrounds the light source. On the outside its texture enriches the volume, and generates surprise… It seems to be made of metal, specifically zinc, a material traditionally linked to storage tanks, and like tanks, even the joints stick out. However, it is produced in rotomoulded bi-layer polyethylene. Its interior is covered in a white layer so that the light bounces, emanates and catches the eye. And that’s where the contrast is created: the outside is available in several colours – blue, grey, off-white, red, pale pink and pale yellow – while the inside is always white.

A simple design reminiscent of a circular house, an archetype of essential shapes that also work in combination with each other, in different heights and…