Table lamp

Arne designed this luminaire, among many other concepts, for the SAS Royal Hotel in Copenhagen in 1957. This mini-format tabletop lamp provides a pleasant downward-directed light thanks to its white-painted inner face. Additionally, its display can be tilted to adjust the light distribution.

The AJ family of lamps is considered, worldwide, as Jacobsen's most famous design. In addition to the AJ Mini tabletop, the AJ family consisted of another tabletop lamp, a stand light, an aplique and a tabletop light, each of which adorned the SAS Royal Hotel after its inauguration in 1960.

The AJZZZZ lighthouse family is considered, worldwide, to be the most famous tabletop design. In addition to the AJZZZZZZZZZZZZZZZZZZZZ

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Keglen is a design by BIG Ideas in collaboration with Louis Poulsen which opened its doors in 2017. The idea was to create a simple but bold galvanized finish of this lamp with an emphasis on geometry and the essence of light. The collaboration between Louis Poulsen and BIG Ideas began with the development of a suspension lamp for the Blåvand Tirpitz Museum, a building that BIG had designed for the Varde Museums. The Tirpitz Museum opened its doors in 2017 and created the galvanized and bold finish of this lamp with an emphasis on geometry and the essence of light. The collaboration between Louis Poulsen and BIG Ideas began with the development of a suspension lamp for the Tirpitz Museum in Blåvand, a building that BIG had designed for the Varde Museums. ...

Poul Henningsen designed the three-screen light system in 1925-1926. Along with Louis Poulsen, PH designed the first light bulbs to use this system for an exhibition in Paris. Collaboration between the two continued until his death in 1967. Throughout his lifetime, he sought to create direct lighting without glare in the places where it was most needed. In addition, he used incandescent light bulbs as a light source to create soft shadows. PH 41⁄2-31 Glass Supremesa designed the first light bulbs to use this system for an exhibition in Paris. Thus, he designed not just three light bulbs but three light bulbs; over the course of his lifetime, he designed three light bulbs; over the course of the years, he designed three light bulbs. ...

Originally designed in 1971, the Panthella has become one of Verner Panton's most significant designs. The recognizable and soft organic form of the table lamp, combined with the opal white color, is not only beautiful, but also functional, providing a diffuse and pleasant reflected light. The semispheric upper screen directs the light downwards, so that it is reflected at the base in the form of a trumpet.

The Panthella 400 Supremesa lamp is a popular choice, with its combination of opal white colors and its 400 mm diameter display.

The opal display emits a bright, soft and comfortable lighting. The opal display leaves an atmosphere of diffuse light to the screen, reflecting from the inside of the screen and reflecting from the bottom of the tube and reflecting light from the bottom of the screen. ...

PH 3 1⁄2-2 1⁄2 Table was designed in 1928 and is one of many development projects undertaken by PH in connection with the development of his world-famous three-shade system. The table lamp is based on PH's original drawings, and comes with the first type of shade holder, with adjustment screws. The top metal shade has a rolled edge, a decorative and stabilizing feature that makes the shade appear thicker than the current material. ...

The Italian-Danish designer duo GamFratesi designed Yuh for Louis Poulsen in 2017. Initially introduced in black and white, the family was expanded with new additions through editions of brass and marble. One of the essential features of the lamp is its personality. The light is flexible and takes up little space. It can be rotated, up or down, illuminating and creating an environment in the desired space. The shape of the screen is geometrically determined by the movement made over its stem. Its minimalist appearance is given by the circular shape of its lower part, which becomes linear as it reaches the opening at the top of the screen. Yuh is the phonetic transcription of you lighting representing these letters of the lamp brought down by the shutter. ...

The PH 31⁄2-21⁄2 Glass Supremesa was designed in 1928 and is the result of one of many projects undertaken by Poul Henningsen to develop its three-screen system from 1926. Poul Henningsen devoted much of his life to taming electric light. He based his design of three screens on a Lithuanian curve to make the most of the light source. He was always doing calculations and tests. The profile of the screens was defined taking into account how they wanted to shape the light and reflect it. ...

Poul Henningsen designed the three-screen lighting system in 1925-1926. Along with Louis Poulsen, PH designed the first lamps to use this system for an exhibition in Paris. Collaboration between the two continued until his death in 1967. Throughout his life, he sought to create direct and non-luminous lighting in the places where it was most needed. In addition, he used incandescent light bulbs as a light source to create soft shadows. The PH 4/3 Sobrem is a member of the three-screen family. However, PH did not design simply one lighting system; over the course of a few years, three different models were created. ...

The lamps applications have been considered in every detail: The two joints on the arm offers great flexibility making it easy to set the lamp position. As an added touch, the springs are exposed in the arm joints, and contribute to the lamps decorative expression. In the same way, the rear shade opening towards the arm provides stepless adjustment of the heads functional components, and ventilation for the LED units. The lamps applications have been considered in every detail: The two joints on the arm offers great flexibility making it easy to set the lamp position. As an added touch, the springs are exposed in the arm joints, and contribute to the lamps decorative expression. ...

The VL38 table lamp was originally designed in the late 1930s by Vilhelm Lauritzen in partnership with Louis Poulsen for the construction of the Radiohuset building (the Danish broadcasting house) in Copenhagen (today the Royal Danish Academy of Music). Vilhelm Lauritzens lamp design, VL38 and the pendant VL45 both designed for Radiohuset, began to appear in Louis Poulsen catalogues after World War II in the mid-1940s. VL38 in white/brass was relaunched in fall 2016. To accommodate contemporary advances in light technology and energy the fixtures have been fitted with.

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The portable iteration of the Reverse Table Lamp masterfully combines raw and refined elements, drawing inspiration from the structural play of geometric constraints. The conical base is made from untreated stone, with natural imperfections that highlight its organic beauty. The base is complemented by a curved, bronzed aluminium shade with a smooth, polished finish, creating a striking contrast of textures. An opal diffuser provides soft, even light, ideal for creating a warm atmosphere in any setting. With a dimmer switch adjustable to three brightness settings, the lamp offers flexibility for different lighting needs. IP44-approved, it is suitable for use in wet rooms and outdoor spaces. To ensure longevity, it should be stored indoors when not in use.

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An instant classic, the JWDA Lamp is the kind of sculptural piece that turns heads and brings new life to a room. The contrast of the delicate, rounded glass with the sturdy metal base makes for a balanced and intriguing silhouette.

Bulb available.
Spare shade available.

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