Floor lamp

Poul Henningsen designed the three-screen system in 1925-1926. Along with Louis Poulsen, PH designed the first light bulbs to use this system for an exhibition in Paris. Collaboration between the two continued until his death in 1967. Throughout his lifetime, he sought to create direct and dim lighting in places where it was most needed. In addition, he used incandescent light bulbs as a light source to create soft shadows. The PH 41⁄2-31 Glass Foot family designed the first lamps to use this system for an exhibition in Paris. ...

Poul Henningsen designed the three-screen system in 1925-26. Hand-in-hand with Louis Poulsen, PH designed the first light bulbs that used this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, he sought to create direct and non-glare lighting in the places where it was most needed. In addition, he used incandescent light bulbs as a light source to create soft shadows. PH 80 is part of the three-screen family. PH 80 did not simply design a whole lighting system; over the years, a few thousand different models were created. He was the first person to apply an alternative scientific approach to lighting and use his final version of the lighting system. ...

VL38 floor lamp is based on the original design of the VL38 table lamp. The VL38 table lamp was originally designed in the late 1930s by Vilhelm Lauritzen in partnership with Louis Poulsen for the construction of the Radiohuset building (the Danish broadcasting house) in Copenhagen (today the Royal Danish Academy of Music). Vilhelm Lauritzens lamp design, VL38 and the VL45 both designed for Radiohuset, began to appear in Louis Poulsen catalogues after World War 2 in the mid-1940s. ...

The Italian-Danish designer duo GamFratesi designed Yuh for Louis Poulsen in 2017. Initially introduced in black and white, the family was expanded with new additions through editions of brass and marble. One of the essential features of the lamp is its personality. The light is flexible and takes up little space. It can be rotated, up or down, illuminating and creating an environment in the desired space. The shape of the screen is geometrically determined by the movement made over its stem. Its minimalist appearance is given by the circular shape of its lower part, which becomes linear as it reaches the opening at the top of the screen. Yuh is the phonetic transcription of you lighting representing these letters of the lamp brought down by the shutter. ...

The NJP series was designed by Oki Sato, founder of design studio Nendo, with the intention of giving a new interpretation to the classic Anglepoise articulated arm lamp with all its known characteristics, in a current design that tailored the functions to the way of working today, both in the office and at home. The NJP Foot lamp's orientable arms and head make it exceptionally adjustable, something that most foot lamps do not usually boast. It is perfect as a reading light next to the armchair or the sofa as it provides its orientable design, easy to direct the light to achieve the best lighting. It features a light source and has been designed with the light source placed above. The light source generates a smooth blinking that prevents it from blinking. ...

Keglen is a design by BIG Ideas in collaboration with Louis Poulsen which opened its doors in 2017. The idea was to create a simple but bold galvanized finish of this lamp with an emphasis on geometry and the essence of light. The collaboration between Louis Poulsen and BIG Ideas began with the development of a suspension lamp for the Blåvand Tirpitz Museum, a building that BIG had designed for the Varde Museums. The Tirpitz Museum opened its doors in 2017 and the galvanized and bold finish of this lamp put emphasis on the geometry and the essence of light. The collaboration between Louis Poulsen and BIG Ideas started with the development of a suspension lamp for the Tirpitz Museum in Blåvand, a building that BIG had designed for the Varde Museums. ...

A design with timeless appeal, the modernist and minimal Wing Floor Lamp brings character to any setting thanks to its playful aesthetic. Created in the late 1970s by the award-winning Swedish designer Kenneth Bergenblad, the lamp’s simple idiom brings together past, present and future. Alluding to the wings of a bird, the polished aluminium shade rotates to allow you to direct the light to wherever it is needed and create playful movement on the architectural design.

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Be aware that the JWDA Floor Lamp in Red Travertine is 130 cm high.

Reworking the dimensions of the JWDA Table Lamp to create a pared-back light with a bold personality, the JWDA Floor Lamp is a refined, standalone design that merges contrasting elements to elegant effect. Set on a stem of powder-coated steel or solid brass, the shade is formed from opal glass into an elliptical shape, while the base retains its characteristic rounded form, available in either two types of marble or red travertine stone, each with unique veining and inclusions. A brushed or bronzed brass dimmer switch lets you control the brightness of the bulb – for reading or relaxing, or simply to create ambience in a room.

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Rising majestically from the floor, the cylindrical silhouette of the Hashira Floor Lamp iteration is combined with elements of western textile lamp shades to lend the design a familiar feel. The translucent fabric shade not only acts as a diffuser, projecting the light in multiple directions while creating a cosy, glare-free ambience, it also adds palpable appeal that enhances the softness of an interior – acoustically as well as tactilely.

Light Bulb Socket: E27

Bulb not included

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A design with timeless appeal, the modernist and minimal Wing Floor Lamp brings character to any setting thanks to its playful aesthetic. Created in the late 1970s by the award-winning Swedish designer Kenneth Bergenblad, the lamp’s simple idiom brings together past, present and future. Alluding to the wings of a bird, the polished aluminium shade rotates to allow you to direct the light to wherever it is needed and create playful movement on the architectural design.

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Polo stands out for the fluidity of its movements. This design unites the head to a thin, light structure that can be fully extended while taking up hardly any space. It features a ball joint system for accurately aiming the light beam. The wheel switch is integrated into the top of the diffuser, and switches on and off when turned, a retro nod to the history of lamps. The Polo has a technical and solid design that is available in floor, table, ceiling and wall versions.

 

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