Audo

A stylish statement piece on a desk, a coffee table or a dining table – for keys, incense, candles or more – the Divot Tray profiles serene, graphic shapes. Turning a humble material into a refined object with a timeless expression, the cast metal design has a beautiful brass finish.

Designed to neatly hold books in place, the abstract forms of the Converge Bookends are shaped from lava stone – a dark and porous material with a textured surface. Use as intended, one at either side of a line of books, or interlock together to create a sculpture that delights with its intriguing shape and touch.

Dramatic in scale and expression, the Rond Bowl is an ideal centrepiece for a dining or a coffee table, anchoring a large surface space. Expertly cast in concrete, the versatile design has an intriguing surface that adds textural appeal to spaces and an exaggerated lip that lends dimension to the piece.

Perfectly proportioned, the Surround Vase is shaped from a single piece of solid wood that displays unique natural grain patterns. The rotund, tactile design, created for Audo by master stylist Colin King, is equally impactful styled with a few stems of flowers as it is left unfilled.

Simple. Sophisticated. Sculptural. The Stance Vase is inspired by traditional display stands to provide support for branches or long-stemmed flowers. The bronzed brass vase patinates beautifully over time and the understated design lends itself to any setting. Available in two sizes. 

Well-proportioned and well designed, the Elizabeth Lounge Chair profiles a majestic elegance that underpins its royal name. Originally called the Model U56, it was later dubbed Elizabeth Chair after Queen Elizabeth II and Prince Philip purchased two of them during an official visit to Denmark in 1958. The chair's sculpted armrests combined with the leather-upholstered low seat and sleigh-like back make it a prime example of Danish Modern.

Efficiently transporting and storing between 15 to 20 Co or Ready Dining Chairs, this durable powder-coated steel trolley is fitted with swivel castors that rotate 360 degrees for ease of use and direction of movement. Use the break to lock the wheels securely when storing chairs statically.

An effortless way to display candles, the Clip Table Candleholder is understated yet intriguing. Reworking medieval candleholders and sconces while exploring an equilibrium of form, the slender frame balances a practical drip tray for an ethereal expression.

An exclusive and rare design from Vilhelm Lauritzen, the Radiohus Sofa was designed for Denmark’s Radio House – today the Royal Danish Academy of Music – in 1936. A pioneering piece of Nordic Functionalism, the elegant design shunned the conservative and straight lines of the time in favour of a more futuristic expression. Beautiful from all angles, its curved lines and open construction welcome and embrace the sitter, while the quilted back highlights the exactness of its design. A piece of furniture that requires space, let it stand freely in a room.

An exclusive and rare design from Vilhelm Lauritzen, the Radiohus Sofa was designed for Denmark’s Radio House – today the Royal Danish Academy of Music – in 1936. A pioneering piece of Nordic Functionalism, the elegant design shunned the conservative and straight lines of the time in favour of a more futuristic expression. Beautiful from all angles, its curved lines and open construction welcome and embrace the sitter, while the quilted back highlights the exactness of its design. A piece of furniture that requires space, let it stand freely in a room.

Designed in 1952 to complement The Seal Chair, this corresponding Ottoman offers the same signature attention to detail, comfort and organic forms that have made Ib Kofod-Larsen a pioneer of mid-century modern design. Named after the Swedish ski resort, Sälen, The Seal is a fine example of Ib Kofod-Larsen's organic design and focus on detail and comfort.

Arguably one of Ib Kofod-Larsen's best-known designs, The Seal is an elegant armchair typical of its time – and yet entirely timeless. The angled frame and armrests and leather upholstery put comfort at the fore, inviting lounging. And despite being made of heavy materials, it has a lightness to it; the shell appears to float inside the wooden frame. Named after the Swedish ski resort, Sälen, and not the animal, The Seal is a fine example of Ib Kofod-Larsen's organic design and focus on detail and comfort. The chair is available with a low or high back.