Louis Poulsen

The Flindt Aplique is part of the Flindt series, which provides exceptional lighting and a bold, sculptural design to interior and exterior spaces.

Based on the same carved design as bollards, the Flindt Aplique continues the elegant, perfectly circular design language. The Flindt Aplique is distinguished by the outlet of light at the top that emits light through the front of the device, creating a subtle, shiny ring of light reflected in the transition between concave and convex shapes. The oval shape rises from the surface of three mountings, giving the device a floating appearance.

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Keglen is a design by BIG Ideas in collaboration with Louis Poulsen which opened its doors in 2017. The idea was also to create a simple but bold galvanized finish of this lamp with an emphasis on geometry and the essence of light. The collaboration between Louis Poulsen and BIG Ideas began with the development of a suspension lamp for the Blåvand Tirpitz Museum, a building that BIG had designed for the Varde Museums. The Tirpitz Museum opened its doors in 2017 and the galvanized and bold finish of this lamp with an emphasis on geometry and the essence of light. The collaboration between Louis Poulsen and BIG Ideas began with the development of a suspension lamp for the Tirpitz Museum in Blåvand, a building that BIG had designed for the Blåvand Museum in Blåvand ...

Initially, the PH Hat, designed by Poul Henningsen in 1961, was available in two sizes. With the PH Hat, Henningsen sought to design a bedroom lamp, among other uses. ...

In 1956, Arne Jacobsen designed the AJ Eklipta for the Rødovre City Hall. The concept was presented in two sizes: Ø350 and Ø450. They were used on interior stairs or as applications in outdoor spaces. A version of Ø220 was later designed for the University of St. Catherine, England. When Arne Jacobsen used the lighting on stairs, it was always leaning for the larger model. Today, this lighting glows in all corners of the world in a variety of architectural contexts. The lighting glows emits a soft and comfortable light. ...

The first Grand LP of 2016 was born when Louis Poulsen asked Christian Flindt to develop a ceiling lamp for large spaces that would operate at different scales and occupy little. At the same time, the luminaire had to have the DNA of Louis Poulsen and be a Design that shapes light, even on a large scale. Flindt's response was the elegant Grand LP, which combines direct and reflected light in its open and beautifully curved rings display, which itself guarantees the highest quality lighting and no glare, while providing a warm and pleasant atmosphere. ...

The designer and architect Verner Panton (1926-1998) created the Panthella lamp in 1971 in collaboration with Louis Poulsen. Panton's figurative and playful design is a reflection of his lush personality. Without making concessions in terms of quality or functionality, the celebrated Danish creative continued to develop new materials for the colorful and captivating spaces he created from his attractive designs. ...

Introduced in 2025, the VL Ring Crown stand and table lamps pay homage to the original VL Ring Crown series, with a history spanning more than 80 years. The VL Ring Crown lamps are part of a series that includes a hanging lamp, chandeliers and appliances, created by the Danish architect Vilhelm Lauritzen for Radiohuset (The Radio House), the headquarters of the Danish Broadcasting Corporation, which opened after the end of World War II in 1945.

Fieles to the original design and materials, the Crown and VL Ring table caps feature three polished brass undernecks and offers glass reflected displays of the illuminated ambient light in a bright white lamp, which uniformly complements the perfection of the original VL ZZL lamp, and provides a smooth

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Arne designed this luminaire, among many other concepts, for the SAS Royal Hotel in Copenhagen in 1957. This stand-up lamp provides a pleasant downward-directed light thanks to its white-painted inner face. In addition, its display can be tilted to adjust the light distribution.

The AJ lamp family is considered, worldwide, as Jacobsen's most famous design. In addition to the AJ stand-up, the AJ family consisted of a light overhead lamp, another smaller-sized tabletop lamp, an aplique and a tabletop lamp, each of which decorated the SAS Royal Hotel after its inauguration in 1960.

The AJ family's lamp design is based on a line of pure copper lamps, and the light concept had been adjusted to ensure that the interior of the hotel

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Moonsetter, from the architect and designer Anne Boysen, was the winning design in a competition that sought out the next classic Danish design held in 2020 and broadcast by her national television. The competition jury was able to immediately appreciate the qualities of Moonsetter, with its simple design, pure lines and timeless air. The design of Moonsetter was part of the basic geometric shapes of the circle, the square and the cylinder, which are fused in an artistic and illustrious way. After creating the first prototype of this unique design for the design competition, Anne Boysen joined forces with ZZZMARZAZ0Z to re-edite the panel. ...

Poul Henningsen designed the three-screen light system in 1925-1926. Along with Louis Poulsen, PH designed the first light bulbs to use this system for an exhibition in Paris. Collaboration between the two continued until his death in 1967. Throughout his life, he sought to create direct lighting and no glare in the places where light was most needed. In addition, he used incandescent light bulbs as a light source to create soft shadows. The PH 31⁄2-21 Pie light is part of the three-screen family, which already has 30 lights, currently included for outdoor use. Thus, PH did not design a whole lighting system; over the course of three decades, a number of models have been created. ...

Poul Henningsen designed the three-screen system in 1925-1926. Along with Louis Poulsen, PH designed the first light bulbs to use this system for an exhibition in Paris. Collaboration between the two continued until his death in 1967. Throughout his lifetime, he sought to create direct and dim lighting in places where it was most needed. In addition, he used incandescent light bulbs as a light source to create soft shadows. The PH 41⁄2-31 Glass Foot family designed the first lamps to use this system for an exhibition in Paris. ...

Poul Henningsen designed the three-screen system in 1925-26. Hand-in-hand with Louis Poulsen, PH designed the first light bulbs that used this system for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, he sought to create direct and non-glare lighting in the places where it was most needed. In addition, he used incandescent light bulbs as a light source to create soft shadows. PH 80 is part of the three-screen family. PH 80 did not simply design a whole lighting system; over the years, a few thousand different models were created. He was the first person to apply an alternative scientific approach to lighting and use his final version of the lighting system. ...