Decoration

Embodying the minimalism of the Modernist Movement with the functionalism of Bauhaus, the simple form of the Bellevue table lamp belies its aesthetic elegance and graceful silhouette. The combination of a downward light and pivotable arm makes the Bellevue a versatile addition to places which require a more focused diffusion of light. ...

The Copenhagen table lamp by Space Copenhagen is a token of contemporary design – exuding a functional aesthetic without sacrificing it's elegant visual identity. Blending both classic and modern aesthetics with an industrial sensibility, the result is a lamp that embodies an intriguing contrast. ...

Embracing the soft luminosity of opal glass, the Copenhagen floor lamp exudes an inherently functional aesthetic within its elegant form. Balanced on a slender stem, the opal shade appears to float – infusing every room with a warm light reminiscent of sunlight through a cloud. ...

Born out of a fascination with the way light refracts through glass, Blown is a design of refined elegance created by Samuel Wilkinson. Crafted from mouth-blown glass, the lamp casts a kaleidoscope of mesmerising patterns when illuminated. Through the subtle interplay of light and shadow, Blown transforms every space it occupies – from hallway to study, bedroom to lounge. ...

Born out of a fascination with the way light refracts through glass, Blown is a design of refined elegance created by Samuel Wilkinson. Crafted from mouth-blown glass, the lamp casts a kaleidoscope of mesmerising patterns when illuminated. Through the subtle interplay of light and shadow, Blown transforms every space it occupies – from hallway to study, bedroom to lounge. ...

The renowned Danish functionalist architect Vilhelm Lauritzen designed the VL 45 Radiohus pendant in collaboration with Louis Poulsen in the late 1930s as part of his complete artwork, the Radiohuset (The House of Radio), the headquarters of the Danish Broadcasting Corporation, which opened just after the end of World War II in 1945.

Lauritzen designed the pendant lamp and all other lamps for the Radiohuset in collaboration with Louis Poulsen. The pendant was initially the office lamp, which featured a three-layer shiny blown glass with no latticeable details.

The illumination of the lamp below maintains the excellent advantages of uniform illumination towards the original illumination and illumination of the

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Poul Henningsen designed hundreds of lamps based on the complete three-screen system it developed in 1926 to allow unmatched lighting quality for all purposes. Many of its lamp designs include a number that refers to the screen sizes of each lamp.

The PH 3/3 is described as a complete three-screen suspension lamp, characterized by its attractive compact appearance with an upper screen of approximately 30 centimeters, which corresponds to the upper and lower displays in 3:2:1 ratios.

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Based on the iconic principle of the PH reflecting system developed by Poul Henningsen in 1926, the PH 1/1 Centenary Edition, originally known as the Bombardeo lighting system, was originally part of Louis Poulsen's catalog from 1933 to the mid-1960s.

ZPoul Henningsen developed the concept of this lighting system so that it could be manufactured in several versions with different arm numbers, each with a set of bright glass displays held by a curved arm to a central core. The three cores are aligned vertically, leaving room for the display sets to be harmoniously displayed. The PHZZZZENADOR1 ZZZZ's external lighting system is designed to provide a smooth and diffuse atmosphere. The PHZZENAD

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Poul Henningsen developed the PH 5 in 1958 in response to constant changes in the shape and size of incandescent bulbs, and created a lamp that could be used with any light source. The iconic design is based on the same principles as Henningsen's three-screen system, which ensures that the light is smooth, pleasant and completely anti-glare, making it the perfect dining table lamp. Originally, the PH 5 was equipped with red and blue displays to improve the color of the light, but these were removed in later designs, as modern designs reproduce the three-screen light much more smoothly than in 1958. ...

This lamp design is one of the few created by Finn Juhl (1912-1989), one of Denmark's most renowned architects. Initially designed in 1963, the pendant lamp and table lamp were reintroduced as FJ Elements in 2025, including the original variant in two shades of gray.

The lamp's name comes from the handmade sketches by Finn Juhl, in which the latter described it as composed of elements. The first sketches document the shape, proportions and concept of the direction for a whole series of its frames, and also inform its direction.

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The VL 45 Radiohus Suspendida was originally designed by the Danish architect Vilhelm Lauritzen for his complete artwork at the Danish Broadcasting House, also known as the Radiohuset.
The original 1940s design features a brass suspension and a three-layered bleached glass screen bleached in milky white, a classic and elegant combination that was reintroduced by Louis Poulsen in 2016.
The VL 45 Pale Rose Suspendida is a version of this iconic design and features a four-layer bleached rose-colored glass combined with a bleached brass suspension: a single-layer bleached glass screen generates a uniform, uniform lighting direction towards the bottom of the glass panel.

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In 1958, Poul Henningsen designed the PH Artichoke for Langelinie Pavilionen, a modernist restaurant in Copenhagen, in which the iconic suspension model continues to inspire guests. Each of the 72 PH Artichoke sheets are carefully hand-assembled into the frame, giving the lamp its distinctive shape, which inspired its name, while ensuring an anti-glowing light from any angle. ...