Louis Poulsen

Poul Henningsen strove to create glare-free light, direct light where it was needed most and create subtle shadows, using incandescent bulbs as a light source. Henningsen's mathematical vision of lighting, which used the logarithmic spiral, resulted in the development of the three-shade system in 1925-1926 and the following family of products, which over the years has included hundreds of different models, which include everything from floor lamps to table lamps, suspended models, chandeliers and wall lamps.

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This exquisite PH 2/1 table lamp, crafted from aged brass and four-layer blown glass, is part of the Louis Poulsen | FENDI Casa, which will debut at Milan Design Week in 2023. Each of the pieces in the collection are reimagined versions of Poul Henningsen's iconic designs, subtly reflecting FENDI's distinctive design language through Peking stripes and a luxurious color scheme.

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This exquisite PH 3/2 table lamp, crafted from aged brass and four-layer blown glass, is part of the Louis Poulsen | FENDI Casa, which will debut at Milan Design Week in 2023. Each of the pieces in the collection are reimagined versions of Poul Henningsen's iconic designs, subtly reflecting FENDI's distinctive design language through Peking stripes and a luxurious color scheme.

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This exquisite PH Artichoke Aged Brass is crafted with 72 brass leaves, expertly crafted with aged brass and brushed brass stripes. These are carefully mounted to the high-gloss chrome frame to ensure the exceptional, glare-free light this iconic Poul Henningsen design is known for.

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Poul Henningsen designed hundreds of lamps based on his three-shade system developed in 1926, a system that provides unmatched lighting quality for all types of needs. Many of his lamp designs have a number that indicates the size of the lampshade of the model in question.

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Poul Henningsen designed hundreds of lamps based on his three-shade system developed in 1926, a system that provides unmatched lighting quality for all types of needs. Many of his lamp designs have a number that indicates the size of the lampshade of each model.

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The renowned Danish functionalist architect Vilhelm Lauritzen designed the VL 45 Radiohus pendant in collaboration with Louis Poulsen in the late 1930s as part of his complete artwork, the Radiohuset (The House of Radio), the headquarters of the Danish Broadcasting Corporation, which opened just after the end of World War II in 1945.

Lauritzen designed the pendant lamp and all other lamps for the Radiohuset in collaboration with Louis Poulsen. The pendant was initially the office lamp, which featured a three-layer shiny blown glass with no latticeable details.

The illumination of the lamp below maintains the excellent advantages of uniform illumination towards the original illumination and illumination of the

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Poul Henningsen designed hundreds of lamps based on the complete three-screen system it developed in 1926 to allow unmatched lighting quality for all purposes. Many of its lamp designs include a number that refers to the screen sizes of each lamp.

The PH 3/3 is described as a complete three-screen suspension lamp, characterized by its attractive compact appearance with an upper screen of approximately 30 centimeters, which corresponds to the upper and lower displays in 3:2:1 ratios.

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Based on the iconic principle of the PH reflecting system developed by Poul Henningsen in 1926, the PH 1/1 Centenary Edition, originally known as the Bombardeo lighting system, was originally part of Louis Poulsen's catalog from 1933 to the mid-1960s.

ZPoul Henningsen developed the concept of this lighting system so that it could be manufactured in several versions with different arm numbers, each with a set of bright glass displays held by a curved arm to a central core. The three cores are aligned vertically, leaving room for the display sets to be harmoniously displayed. The PHZZZZENADOR1 ZZZZ's external lighting system is designed to provide a smooth and diffuse atmosphere. The PHZZENAD

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Poul Henningsen developed the PH 5 in 1958 in response to constant changes in the shape and size of incandescent bulbs, and created a lamp that could be used with any light source. The iconic design is based on the same principles as Henningsen's three-screen system, which ensures that the light is smooth, pleasant and completely anti-glare, making it the perfect dining table lamp. Originally, the PH 5 was equipped with red and blue displays to improve the color of the light, but these were removed in later designs, as modern designs reproduce the three-screen light much more smoothly than in 1958. ...

This lamp design is one of the few created by Finn Juhl (1912-1989), one of Denmark's most renowned architects. Initially designed in 1963, the pendant lamp and table lamp were reintroduced as FJ Elements in 2025, including the original variant in two shades of gray.

The lamp's name comes from the handmade sketches by Finn Juhl, in which the latter described it as composed of elements. The first sketches document the shape, proportions and concept of the direction for a whole series of its frames, and also inform its direction.

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The VL 45 Radiohus Suspendida was originally designed by the Danish architect Vilhelm Lauritzen for his complete artwork at the Danish Broadcasting House, also known as the Radiohuset.
The original 1940s design features a brass suspension and a three-layered bleached glass screen bleached in milky white, a classic and elegant combination that was reintroduced by Louis Poulsen in 2016.
The VL 45 Pale Rose Suspendida is a version of this iconic design and features a four-layer bleached rose-colored glass combined with a bleached brass suspension: a single-layer bleached glass screen generates a uniform, uniform lighting direction towards the bottom of the glass panel.

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