Pendant lamp

Poul Henningsen designed his first lights in 1925-1926 for an exhibition in Paris. He continued to work with Louis Poulsen until his death, which occurred in 1967. Throughout his life, PH sought to create direct and non-glare lighting in places where it was most needed. In addition, he used incandescent bulbs as a light source to create soft shadows. In 1958, Poul Henningsen designed Snowball, which was exhibited alongside the PH 5 at the Danish Museum of Decorative Art. However, at that time Snowball went fairly unnoticed and it was from 1983 when it was re-launched and produced. ...

PH Septima is considered one of Poul Henningsen's most refined suspension lamps. When it was first exhibited in 1928 as a prototype at the Danish Museum of Decorative Art (now Museum of Design of Denmark), this lighting poetic was a critical success. Based on the three-screen PH system, the PH Septima glass lamp has four additional displays interspersed between the three basic displays, all of them produced from Italian lighting glass as delicate as resistant. The displays are treated so that their surface comprises alternating lighting materials and other lighting materials and are positioned in such a way that the three-dimensional shades cover the lighting trays, which enables the stability of the lighting lamps to avoid a more sophisticated lighting resistance that follows the development of the PH Z Z Z ...

Toldbod 155/220 Glass Suspended was introduced in 2002 and, like the other products in the Toldbod series, its design is based on the PH Ellipse reflector. Its precise design makes it perfectly suited to a variety of architectural environments. ...

ZPoul Henningsen began collaborating with ZLouis Poulsen in 1925-1926, when he designed his first light bulbs for an exhibition in Paris. The collaboration between the two continued until his death in 1967. Throughout his life, PHZ sought to create direct and non-glare lighting in the places where it was most needed. In addition, he used incandescent light bulbs as a light source to create soft shadows. The PH 3/2 Academy is part of the light family of three displays, which currently has 30 lights, including the PH model for exterior use. Thus, he designed not a single light bulb but a whole system; at the end of his life, he designed three thousand light bulbs. ...

The first incorporation was the Toldbod 290 exterior family in 1982. Following this success were introduced the Toldbod Glass interior suspension lamps. Later the Toldbod metal suspension lamps were introduced, which were completed with the four larger editions in 2019. The Toldbod suspension lamp directs most of the light downward, faithful to the philosophy of modeling light to illuminate spaces without affecting people's eyes. ...

The Above suspension lamp, by Danish designer Mads Odgård, represents a markedly simplistic lighting design. The designer himself is deeply minimalist and creates clear and simple works, where function is valued as much as form and quality. "I have designed a lamp that embodies my mantra: How far do you dare to go to create a simple design? I prefer to remove adding, and I always include myself by making things as simple as possible", says Mads Odgård. ...

The collaboration between Louis Poulsen and BIG Ideas began with the development of a suspension lamp for the Tirpitz Museum in Blåvand, a building that BIG had designed for the Varde Museums. The Tirpitz Museum opened its doors in 2017 and the galvanized and boldly directed finish of this suspension lamp captures the museum's architecture, at the fine and robust time, which merges with the dunes landscape of its location in western Jutland. The collaboration of the islands, artistic and technical, between Louis Poulsen and BIG Ideas also provides a distinctive and distinctive personality, as the subsequent development of the Kegpitz suspension lamp, which reflects the smoothness of the interior of any lamp. ...

The glass version of the PH Artichoke model dates from 1927-31, when Poul Henningsen designed a glass suspended lamp with the name PH Septima, made up of seven glass displays, and that Louis Poulsen manufactured until 1940, when production had to be interrupted due to a lack of materials during the war period. When he was asked to design a lamp for the Langelinie Pavillonen restaurant in 1958, Poul Henningsen did the work in three months and the PH Artichoke model emerged, based on the idea of the PH Septima. The Louis Poulsen model was made up of seven clear glass displays, blown into a pattern. The Artichoke Septima displays will be delivered by dividing the illuminating sheets into "sheets of sand", with the ZZZMARZ1Z lamp ...

The idea to the colour rankings comes from the experience of colours in circular motions where they are often perceived as continuous lines. The shape is inspired by the well-known onion shaped domes on several of the buildings in the TIVOLI garden. ...

The Enigma 425 series was designed by Japanese optical designer Shoichi Uchiyama for Louis Poulsen and includes the Enigma 425, 545, and 825 models. Enigma 425 was launched in 2003 and was the first step in a reinterpretation of the traditional spider concept. This lamp consists of thin layers of concentric circles and floating displays supported by ultra-thin cables, giving it a transparent and lightweight appearance. The Enigma name means "mystery" and refers to floating displays that appear to float when viewed from a distance. ...

It was originally introduced in the 1950s. It was designed in close collaboration between the Navy Construction Department and Louis Poulsen. The suspended lamp was used for many years in Navy buildings for different applications such as canteens and offices. The Navy Pendant, as it was then called, was used extensively thanks to its unique lighting properties and usefulness. It was not until the early 1980s that it disappeared from the Louis Poulsen catalogs. The design has a timeless appearance, but has a strong connection to the 1950s image. It was reintroduced as the Doo-Wop in 2012 with a new version of brass. In 2017 with new reflections of copper and stainless steel light. ...

Poul Henningsen designed his first lights in 1925-1926 for an exhibition in Paris. He continued to work with Louis Poulsen until his death in 1967. Throughout his life, PH sought to create direct and non-luminous lighting in places where it was most needed. In addition, he used incandescent bulbs as a light source to create soft shadows. ...